NKVD Specialist Solomon Gol’dman (2nd from left), 1937Mykhailo Boichuk, late 1920sThe Boichukisty, c. 1926Mykhailo Boichuk, Shevchenko Day poster (1920)Mezhyriria Artistic-Ceramic Technical School advertisement, 1927Oksana Pavlenko, Female Delegates (1925)Boichukisty fresco, c. 1930Mykhailo Boichuk, Harvest Holiday (c. 1935)Vladimir Shatalov, Bridesmaids (1940)Tatiana Yablonska, Bread (1950)Father Serafim seated amid religious items taken from the catacomb monasteryFather Serafim in his priestly vestments before his arrestMug shot of Father Serafim taken shortly after his arrestEdited and unedited versions of two people on trialCollage of True Orthodox believers arranged as a counterrevolutionary groupCollage designed by the secret police to suggest a hierarchy of counterrevolutionary monks and nunsNetwork diagram of the True Orthodox ChurchNetwork diagram of the “ecclesiastic-monarchist counterrevolutionary organization” from Ivanovo-VoznesenskWitness’s progressive identification of Igor Sevianu, Reenactment (1960)Sevianu’s visual identification narrative, Reenactment (1960)Increasingly visible profile of workers via a tool they created, The Plant (1963)Camera’s capture of close-ups of woman trying to hide her face, This Concerns Us All (1961)Evasiv subject finally shown in close-up, This Concerns Us All (1960)Obscured vision shots gradually replaced by identifying images, Let Life Triumph (1961)Nikolai Karazin, The Khiva Expedition of 1873 (1888)Nikolai Karazin, Kirgiz Chief (1885)Images from Kritika 23, no. 3 (2022): Lucento, Vagramenko, Vatulescu, and Schimmelpenninck van der Oye articles
